The Day after Christmas, 2065

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“So join, read, vote. And fifty years from now, when your fannish grandchildren ask you, ‘Say, gramps, what did you do in the Great Hugo War?’ you’ll have an answer for them.”

In my post-worldcon blog post last August 31 (( http://grrm.livejournal.com/440444.html )) I expressed the hope that the ugliness of 2015 could be left behind, that Fandom and Puppydom could coexist in peace. That’s still my hope. And right now I am feeling a little more hopeful than I was in August. People are talking books, not trading epithets…

Merry Christmas to all, and to all a good read.

– grrm, December 24, 2015


 

The Day after Christmas, 2065:

“Say, gramps, what did you do in the Great Hugo War?”


“Some said I wasn’t a real Fan. No credentials! I voted after a LiveJournal appeal from grrm, who in addition to Max Headroom and THE ARMAGEDDON RAG wrote a series of epic fantasy novels that got adapted into a cable show.”


“Wires transmitting radio signals, right? LiveJournal’s better than Facebook. But gramps, what’s a series of epic fantasy novels?”


“As the Big Five collapsed, earnings… let’s not talk about that. Fandom splintered into fractious online subgroups, and mega-authors had to choose between positioning themselves as a mega-brand, in thrall to some corporation, or as a mega-fan, exemplar of the imagined community spanning the sequestered subcultures.”


“Sounds like a rhetorical tightrope.”


“It was tough on authors who spent decades in the fandom of printed books – like Pournelle’s 18-volume THERE WILL BE WAR you got for Christmas.”


“Are those Man-Kzin stories canonical?”


“Absolutely. Look. We were spread so thin that finalists in Best Novella, Novelette or Short Story were thrown out because they didn’t meet the threshold of five percent of nominating ballots cast.”


“What determined eligibility, gramps?”


“Word count.”


“You’re old! Why didn’t the mega-fans like grrm and Liu Cixin and Rudy Rucker just plug in their wires and explain to all fans of text-based, linear, narrative, noninteractive science fiction that they needed to pull together, honor its practitioners and save a dying art form? I mean, you and grandma made me this set of THERE WILL BE WAR from hand grown, scudded, pounced, and bound calfskin.”


“Rucker did. Liu Cixin was torn between Arthur C. Clarke and the MMOG future, and he imagined – wrongly, as we now know – that Anglosphere fans could repair the Hugos on their own. grrm made a few human mistakes, but he did his best and – thank Ghu! – in the end, everybody started pulling together.”


 

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